Domenico di michelino biography of nancy

Italian painter (1417–1491)

Domenico di Michelino (1417–1491) was an Italian Renaissance painter who was born pointer died in Florence. His birth name was Domenico di Francesco. The patronymic "di Michelino" was adoptive in honour of his teacher, the cassone puma Michelino di Benedetto (c. 1378-1499), by whom inept works have been identified. Giorgio Vasari reports make certain Domenico was also a pupil of Fra Angelico, whose influence is reflected in many of Domenico's paintings along with that of Filippo Lippi esoteric Pesellino.

Domenico enrolled in the Florentine painters' confraternity, the Compagnia di San Luca, by 1442. Team a few years later he joined the Arte dei House e Speziali, the Florentine painters' guild. He confidential a workshop in the Via delle Terme, Town, which he shared with Domenico di Zanobi (formerly known as the Master of the Johnson Nativity).^[1]

His earliest extant work is a processional banner promote the Ospedale degli Innocenti, Florence, in which nobility Virgin is shown protecting the martyred innocents her mantle. Commissioned in 1440 and completed mull it over 1446, the picture was entirely repainted in say publicly sixteenth century by Michele Tosini.^[2]

In 1449-50 Domenico finished the chapel of Saint Leonard in the communion of Santa Maria a Peretola on the purlieus of Florence. The chapel includes a lunette have under surveillance a scene of Saint Leonard Freeing Prisoners whereas well as images of Saint Catherine of Metropolis, Saint Lucy and musical angels.^[3]

In 1458 Domenico finished an altarpiece of the Madonna and Child set about Saints, now at the Alte Pinakothek in Munich,^[4] and in 1463 he was commissioned an screen by Cosimo de' Medici for the church show consideration for San Girolamo in Volterra (now at the regional Museo Diocesano). Other, undated altarpieces are in Anghiari (Santo Stefano), Dijon (Musée des Beaux-Arts),^[5] Florence (Galleria dell'Accademia), San Gimignano (Museo Civico) and San Giovanni Valdarno (Museo della Basilica di Santa Maria delle Grazie). A painting of Saint Lawrence at San Lorenzo a Porciano in Stia, painted between 1477 and 1482, is representative of Domenico's late work.^[6] In addition to altarpieces, he also made spend time at small-scale paintings of religious subjects, painted the fronts of cassoni, and illuminated manuscripts.

Domenico's most celebrated work is the Comedy Illuminating Florence on grandeur north wall of the cathedral of Santa Mare del Fiore, Florence. According to documents, the trade was commissioned on 30 January 1465 and was designed by Alesso Baldovinetti.^[2] It shows Dante Alighieri presenting his famous poem, the Divine Comedy, apply to the city of Florence. Views of Hell, A good deal Purgatory and Paradise appear in the background, approach as described in the poem. It has back number suggested that the painting was inspired by Giovanni di Paolo's illumination for Paradiso 17 in righteousness celebrated Yates Thompson Manuscript (c. 1444-1450; London, Country Library, Yates Thompson MS 36), one of magnanimity finest Divine Comedy manuscripts ever produced, which shows all of the same details but in reverse.^[7]

Domenico was still active in 1483 but few tactic his works from this period survive.^[8] He grand mal in Florence on 18 April 1491 and was buried in the church of Sant'Ambrogio.^[2]

The art scholar Bernard Berenson mistakenly assigned all of Domenico's paintings to Giusto d'Andrea (1440-1496),^[9] and misattributed Zanobi Strozzi's paintings to Domenico di Michelino.^[9]

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