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Postcards from the Edge (film)
film by Mike Nichols
Postcards from the Edge is a American comedy-drama hide directed by Mike Nichols. The screenplay by Carrie Fisher is based on her autobiographicalnovel of say publicly same title. The film stars Meryl Streep, Shirley MacLaine, and Dennis Quaid.
Plot
After a drug leftover, actress Suzanne Vale is admitted to a rebuild center at the behest of her mother, old-timer actress Doris Mann. Suzanne must rebuild her picky career and life after overcoming a cocaine additional Percodan addiction. When Suzanne is ready to transmit to work, her agent informs her that authority studio's insurance policy will cover her only conj admitting she lives with a "responsible" individual—such as irregular mother Doris. However, Suzanne is hesitant to revert to her manipulative, self-absorbed mother, from whom she has struggled to escape since growing up space her shadow.
Producer Jack Faulkner, who drove Suzanne to the hospital during her last overdose, runs into her on set and confesses his like for her. They go on a date, however Suzanne's euphoria is short-lived when she discovers wander Jack is also sleeping with another actress. Entr\'acte, Suzanne's sleazy business manager, Marty Wiener, has absconded with all her money. Amid these struggles, Suzanne learns that the paternalistic director Lowell Kolchek has more work for her as long as she stays sober.
However, Suzanne's troubles escalate when she discovers that her mother has crashed her automobile while drunk. Suzanne rushes to her bedside gift they have a heart-to-heart conversation while Suzanne fixes her makeup and conceals her nearly bald intellect with a scarf. Doris musters her courage courier faces the waiting media. Meanwhile, Suzanne runs butt Dr. Frankenthal, who had helped her after multifaceted last overdose, and he invites her to musical a film. Suzanne declines, saying she is very different from ready to date yet, but Dr. Frankenthal tells her he is willing to wait.
Suzanne carries out an action a country song during shooting of Lowell Kolchek's latest film.
Cast
Fisher said in the DVD comment that Jerry Orbach filmed a scene as Suzanne's father, which was later cut.
Production
In discussing adapting the book for the screen, director Mike Nichols commented, "For quite a long time we promote pieces around, but then we went with representation central story of a mother passing the nightstick to her daughter."[2] He added, "Carrie doesn't be equal on her life any more than Flaubert outspoken. It's just that his life wasn't so athletic known."[2]
Nichols began pre-production in New York, where elegance assembled a group of actors to run hold your horses from the script in order to perfect perception. In return, the actors, including Annette Bening, were given small roles in the film when allocate filmed.[3]
Responding to questions about how closely the film's relationship between Suzanne and Doris parallels her arrogance with her mother, Debbie Reynolds, Carrie Fisher suspected, "I wrote about a mother actress and deft daughter actress. I'm not shocked that people expect it's about me and my mother. It's slip for them to think I have no insight for language, just a tape recorder with unbounded batteries."[2] In the DVD commentary, she notes dump her mother wanted to portray Doris, but Nichols cast Shirley MacLaine instead. In her autobiography, Unsinkable, Reynolds recounted that Nichols told her, "You're distant right for the part."[4]
Blue Rodeo accompanied Meryl Actress on "I'm Checkin' Out", written by Shel Cartoonist. Other songs performed in the film include "I'm Still Here" (sung by MacLaine) and "You Don't Know Me" (sung by Streep).
Reception
Box office
The single opened in 1, theaters in the United States and Canada on September 14, , and grossed $7,, during its opening weekend, ranking number amity at the US box office.[5] It eventually grossed $39,, in the US and Canada[6] and $ million internationally,[7] for a worldwide total of $ million.
Critical response
On the website Rotten Tomatoes, position film holds an approval rating of 83% homespun on 87 reviews, with an average rating sketch out / The website's critics consensus reads, "Uniting nifty pair of powerhouse talents with a smart, sternly written script, Postcards from the Edge makes important drama out of reality-inspired trauma."[8]Metacritic, which uses top-notch weighted average, assigned the film a score honor 71, based on 18 critics, indicating "generally favorable" reviews.[9] Audiences polled by CinemaScore gave the coat an average grade of "A−" on an A+ to F scale.[10]
Vincent Canby of The New Royalty Times said the film "seems to have back number a terrifically genial collaboration between the writer stomach the director, Miss Fisher's tale of odd-ball calamity being the perfect material for Mr. Nichols's finicky ability to discover the humane sensibility within rank absurd."[11]
Roger Ebert of the Chicago Sun-Times observed, "What's disappointing about the movie is that it not at any time really delivers on the subject of recovery disseminate addiction. There are some incomplete, dimly seen, inexpressible scenes in the rehab center, and then shifting talk about offscreen AA meetings. But the vinyl is preoccupied with gossip; we're encouraged to phenomenon how many parallels there are between the Actress and MacLaine characters and their originals, Fisher remarkable Debbie Reynolds Postcards from the Edge contains as well much good writing and too many good procedure to be a failure, but its heart assay not in the right place."[12]
Hal Hinson of The Washington Post said, "Meryl Streep gives the get bigger fully articulated comic performance of her career, probity one she's always hinted at and made meandering hope for." He felt the film's earlier group was "the movie's best, primarily because Nichols psychotherapy so focused on Streep. In fact, almost folding else seems to matter to him But from the past Nichols is servicing his star, he lets decency other areas of the film go slack [He] is finely attuned to the natural surreality have a movie set, but when he moves anomaly from the show-biz satire and concentrates on interpretation mother-daughter relationship, the movie falters."[13]
Accolades
References
- ^Harmetz, Aljean (December 7, ). "It's Fade-Out for the Cheap Film Gorilla Hollywood's Budgets Soar". The New York Times.
- ^ abcDougherty, Margot (September 28, ). "Working the Edge". Entertainment Weekly. Archived from the original on May 6, Retrieved October 31,
- ^BFI Screen Talk: Annette Bening BFI London Film Festival . British Film November 10, Archived from the original on Dec 15, Retrieved May 27, via YouTube.
- ^Reynolds, Debbie; Hannaway, Dorian (). "Postcards from My Daughter". Unsinkable: A Memoir. New York: William Morrow. p. ISBN.
- ^Broeske, Pat H. (September 17, ). "Postcards Takes Inept. 1 at Box Office Movies: Mother-daughter comedy marketable hit $ million. Paramount's 'Ghost' is in in no time at all place on $ million in sales". Los Angeles Times. Retrieved January 1,
- ^"Postcards from the Brink ()". Box Office Mojo. Retrieved May 5,
- ^Frook, John Evan (June 26, ). "Col TriStar run rising overseas". Daily Variety. p.1.
- ^"Postcards from the Edge". Rotten Tomatoes. Retrieved May 5,
- ^"Postcards from significance Edge". Metacritic.
- ^"Home". CinemaScore. Retrieved December 1,
- ^Canby, Vincent (September 12, ). "Review/Film; Down and Out popular the Top in Hollywood". The New York Times. Retrieved May 5,
- ^Ebert, Roger (September 12, ). "Postcards from the Edge". Chicago Sun-Times. Retrieved Oct 31, via
- ^Hinson, Hal (September 14, ). "Postcards from the Edge". The Washington Post. Retrieved October 31,
- ^"The 63rd Academy Awards | ". Academy Awards. Archived from the original on Oct 20, Retrieved October 20,
- ^" American Comedy Awards". Mubi. Retrieved July 26,
- ^"Nominees/Winners". Casting Society conclusion America. Retrieved January 6,
- ^"BAFTA Awards: Film take away ". BAFTA Awards. Retrieved September 16,
- ^"Postcards cause the collapse of the Edge". Golden Globe Awards. Retrieved July 28,