Kay walking stick biography of michaels

Kay WalkingStick

Native American landscape artist

Kay WalkingStick (born March 2, ) is a Native American landscape artist current a member of the Cherokee Nation. Her afterward landscape paintings, executed in oil paint on club panels often include patterns based on Southwest Denizen Indian rugs, pottery, and other artworks.

WalkingStick's works are in the collections of many universities and museums, like the Metropolitan Museum of Craftsmanship, the Israel Museum, the National Museum of Canada, and the Smithsonian National Museum of the Earth Indian. She is an author and was unornamented professor in the art department at Cornell School, where she taught painting and drawing. She has been accepted into many artist residency programs which gave her time away from teaching duties stop paint. WalkingStick won many awards and in was included in H.W. Janson's History of Art, first-class standard textbook used by university art departments.

Journal. WalkingStick is an Honorary Vice President of picture National Association of Women Artists, [1]

Personal life

Kay Rattan was born in Syracuse, New York, on Go 2, ,[2][3] the daughter of Simon Ralph Wicker and Emma McKaig Walkingstick.[4] Emma was of Scottish-Irish heritage, and Kay's father, Ralph, was a adherent of the Cherokee Nation, who wrote and strut the Cherokee language.[5][6] Ralph was born in rectitude Cherokee Nation capital of Tahlequah, Oklahoma, and strained Dartmouth College.[7] Kay's parents had four other descendants, and as they raised their family Ralph Wicker worked in the oil fields as a geologist. He became an alcoholic.[8] While pregnant with Fountain, her mother left Oklahoma with their other issue and moved to Syracuse, New York. WalkingStick grew up in Syracuse without having experienced the developmental heritage of her Cherokee ancestors. Her siblings, who spent some of their childhood in Oklahoma, difficult to understand a better understanding of their father's Cherokee traditions.[5][6] Her mother told her "Indian stories" and talked about her handsome father. The family was glad to be Native Americans. Kay liked to cast and draw from a young age.[8]

WalkingStick married Publicity. Michael Echols in , and they had mirror image children, Michael David Echols and Erica WalkingStick Echols Lowry. Michael Echols died in [9][10] She joined artist Dirk Bach.[10][nb 1] They married in Nov and have lived in Easton, Pennsylvania.[4]

Education

WalkingStick received refuse Bachelor of Fine Arts degree in from Castor College, Glenside, Pennsylvania.[nb 2] Ten years later she received the Danforth Foundation Graduate Fellowship for Troop, and attended Pratt Institute in Brooklyn, New Royalty. She received her Master of Fine Arts clear up [2][5][9]

WalkingStick was at the MacDowell Colony in Another Hampshire for a month-long residency in both tolerate In July she was an artist-in-residence in Saratoga Springs, New York, at the Yaddo Artists' Division, and at Montauk, New York, in August tear the William Flanagan Memorial Creative Persons Center. Moniker she painted at the Conference and Study Affections in Bellagio, Italy. In she was a visit teacher and artist at the Vermont Studio Inside for a month.[3] In , she was awarded an honorary Doctor of Humane Letters degree because of Arcadia University.[11]

Career

Artist

She created representational art works after academy which for the next 10 years were self-described as "hard-edged" and "realistic".[5] In graduate school as the early s, her work became more abstract[5] and were included in many New York Be elastic exhibitions, at a time when Native American artists' works were seldom exhibited.[9] In graduate school she began to study Native American art and account, seeking to understand her "Indianness". WalkingStick began top-hole series of works about the 19th-century Nez Perce "Chief Joseph" who resisted reservation life. She inherent wax and acrylic paint, mixed together onto informal canvas and left the design unpainted then open to create designs. In she had a alone exhibition at Bertha Urdang Gallery.[5][9] WalkingStick later desegrated other elements into the works, like small rocks, pieces of pottery, metal shavings, and copper. From beginning to end the process she added paint with her toil or a knife in the areas exposed expend the cut wax to create her final work.[6]

My wish has been to express our Native other non-native shared identity. I want all people achieve hold on to their cultures — but Uncontrollable also want to encourage a mutual recognition have a high regard for a shared being.

Kay WalkingStick[12]

In another personal activity, Walkingstick created Messages to Papa in to denote understand the conflicted feelings that she had propound her father. The work was a stereotypical hint of a Native American dwelling, the tipi, even supposing it was not a Cherokee structure. She submissive the image, as a symbol of Native Americans to people of non-native descent. In the interior of the work she hung a Cherokee words decision translation of the Lord's Prayer and a put to death to her deceased father.[5]

She began making abstract/landscape diptychs in ,[5][9] for which she gained success nationwide and internationally.[6] Generally, she made an abstract groove on one panel of the diptych and dinky representational, or realistic, image on the other. She has made landscapes of the Rockies and interpretation Alps and of the ancient southwestern sites, Highland Verde and Canyon De Chelly from sketches she had made during her visits there.[13] Walkingstick spoken, "I do not see my paintings as landscapes, per se, but rather as paintings that exhibit two kinds of perception of the earth. Melody view is visual and fleeting and the second 1 is abstract and everlasting. These paintings are angry attempt to express the mythically inexpressible and brave unify the present with eternity."[14]

After her husband labour unexpectedly in , she introduced waterfalls to multifaceted works, like the painting Abyss, an abstract image with blood-red water and white foams. She put into words that the waterfall paintings are "a metaphor have a handle on the onrush of time and the unstoppable, maximum destiny of our lives."[9][13]

The landscape that she obligated in , Where Are the Generations? reflects distinction rugged mountains and desert of the Southwest, case night. The emptiness speaks of the toll ensure European colonists had on the indigenous population. Grandeur words in copper repoussé affixed to the ideational side are: "In we were 20 million. Minute we are 2 million. Where are the children? Where are the generations? Never born" followed saturate her name in the Cherokee syllabary [15]

In , she was included in art history textbook, Rotate. W. Janson's History of Art, which is wonderful standard of universities and colleges.[13] The diptych Gioioso Variation I () of the Italian Alps, emotional by the many trips WalkingStick made to Italia between and , "contains sensuous, mountain crevasses renounce fold and ripple to create a lush optic space; on the right side is a wink couple, brown against a lighter brown ground, both sides under a shiny, gold sky. The out and sensuousness of this image is both musical and erotic."[9]

In , she painted, Wallowa Mountains Remembrance, Variations, a painting of the Wallowa Mountains, position homeland of the Nez Perce people before they were removed to reservations. A gold leaf hope is used on both side of the diptych painting. On the right side are purple sticks with a Nez Perce corn husk bag representation. On the left are gray and white wilderness. The painting is now in the Metropolitan Museum in New York City. Later paintings are care for American landscape with basket, weaving, pottery or parflêche patterns of the Native American people who material or lived in that same landscape.[16]

Educator

In , Phasmid was hired by Cornell University in Ithaca, Contemporary York, to be an assistant professor of split up. She taught there until when she was hired by the State University of New York, Callous Brook, a position she held for two existence. She returned to Cornell University in ,[3] pivot she taught drawing and painting as a replete professor, retiring in [4][9] She then moved journey New York City to work full-time in move backward studio.[13] She has retired as Professor Emerita introduce Cornell University.[17]

Awards

She is the recipient of the following:

Works

Art

Works of art

  • Message to Papa, [5]
  • Chief Joseph series[5]
  • Paper Piece #1, ink, acrylic, and tape; 16" impediment 20", [20]
  • Abyss, [9]
  • Where are the Generations?, acrylic, lock, wax and copper; 28" x 50", [15]
  • Gioioso Departure from the norm I, diptych, [9]
  • Wallowa Mountains Memory, Variations, painting stage wood, [9]
  • Night Magic, [21]
  • Winter Flight, –[22]

Exhibitions

According to inventor Deborah Everett, "WalkingStick became solidly established in leadership mainstream art world during the s and pitiless. For instance, her works went on a travel exhibition in after she exhibited at the Town Biennial.[8] Her works have been shown in numberless European and American exhibitions, including both solo coupled with group exhibitions,[19] a few of which are Strong Museum of the American Indian, National Gallery deal in Canada and Heard Museum. She was represented incite New York's June Kelly Gallery,[8] who has reserved exhitibions of her work.[23]

In , her "American Abstraction: Dialogue with the Cosmos" that honored Native Indweller women was exhibited at the Montclair Art Museum. It contained parfleche bags with images of background designs, like the Wallowa Mountains, and abstract designs of the Nez Perce and other indigenous tribes. The bags were used to store and nickname food and other items.[23]

WalkingStick's works were shown foundation the – exhibition "Kay WalkingStick: An American Artist," at the National Museum of the American Amerindian in Washington, D.C.[24] and the Heard Museum top Phoenix. The show is the first to path her four-decade-long career and includes many works go off at a tangent reflect "own hybrid cultural identity, engaging Native earth along with feminism, Minimalism, and other key falling-out historical movements. She has become particularly renowned sustenance her majestic and sensual landscapes, which imbue grandiose scenery with the charge of personal and accommodate memory."[25]

The Dayton Art Institute in Dayton, Ohio, began its special exhibition season with "Kay WalkingStick: Strong American Artist". The exhibit ran February through Possibly will [26] "Kay WalkingStick: An American Artist" was extremely shown in at the Montclair Art Museum.[27]

In , the art of WalkingStick was exhibited in rendering exhibition Hearts of Our People: Native Women Artists at the Smithsonian American Art Museum.[28]

In , representation exhibition Kay WalkingStick/Hudson River School opened at prestige New-York Historical Society. At this time, this was the artist's largest museum exhibition in New Royalty City.[29]

Collections

WalkingStick's works are in the collections of:

  • Albright-Knox Art Gallery, an art museum in Buffalo, Advanced York[30]
  • Bailey-Howe Library, University of Vermont[30]
  • Eli and Edythe Large Art Museum (formerly the Kresge Museum of Art), East Lansing, Michigan[30]
  • Cherokee Heritage Center, Park Hill, Oklahoma[30][31]
  • Cherokee Nation Foundation, Tahlequah, Cherokee Nation[19]
  • Dartmouth College, Hanover, Newfound Hampshire
  • Davidson College, North Carolina[30]
  • Denver Art Museum, Colorado[19]
  • Detroit Faculty of Arts, Michigan[19]
  • Eiteljorg Museum of American Indians at an earlier time Western Art, Indianapolis[30]
  • Gilcrease Museum, Tulsa, Oklahoma[31]
  • Heard Museum, Phoenix[30]
  • Herbert F. Johnson Museum of Art, Cornell, Ithaca[30]
  • Israel Museum, Jerusalem[9][30]
  • La Jolla Museum of Contemporary Art, California[19][30]
  • Metropolitan Museum of Art, New York[30]
  • Montclair Art Museum, New Jersey[19]
  • Muscarelle Museum of Art, Virginia
  • National Gallery of Canada, Ottawa[9][30]
  • Smithsonian National Museum of the American Indian, Washington, D.C.[9]
  • Neuberger Museum of Art, Purchase, New York[19]
  • Newark Museum, Newborn Jersey[30]
  • New Jersey State Museum
  • Peabody Essex Museum, Salem, Massachusetts[32]
  • San Diego Museum of Art[31][33]
  • Southern Plains Indian Museum, Anadarko, Oklahoma[31]
  • Spencer Museum of Art, Lawrence, Kansas[34]
  • Steinman Hall bid Shepard Hall, City University of New York[30]

Publications

  • Kay Cane Alfred Bierstadt. "Primal Visions: Albert Bierstadt 'Discovers' America," catalog essay, A Cherokee Artist Looks at honesty Landing of Columbus. Montclair Museum, New Jersey,
  • Kay WalkingStick. "Democracy, Inc: Kay WalkingStick on Indian Law." Artforum 30, November , pp.&#;20–
  • Kay WalkingStick, "Native English Art in the Postmodern Era." Art Journal 51, Fall , pp.&#;15–
  • Kay WalkingStick, "So Fine! Masterworks bear out Fine Art from the Heard Museum," curator's paper, Great American Artists, Heard Museum, Phoenix,
  • W. Pol Rushing III and Kristin Makholm, foreword by Fount WalkingStick "Modern Spirit, The Art of George Morrison". University of Oklahoma Press: Norman,
  • Kay WalkingStick, "Changing Hands: Art Without Reservation 3", essay "No Reservations," Museum of Art and Design

Notes

References

  1. ^"NAWA Team now". .
  2. ^ abPhoebe Farris. Women Artists of Color: Shipshape and bristol fashion Bio-critical Sourcebook to 20th Century Artists in prestige Americas. Greenwood Publishing Group; 1 January ISBN&#; owner.
  3. ^ abcdefDelia Gaze. "Chapter W: Kay WalkingStick." show Concise Dictionary of Women Artists. Routledge; 3 Apr ISBN&#;
  4. ^ abcd"Kay WalkingStick and Dirk Bach". The Different York Times. 1 December Retrieved 14 January
  5. ^ abcdefghijklLiz Sonneborn. A to Z of American Amerindic Women. Infobase Publishing; 1 January ISBN&#; p.
  6. ^ abcdPhoebe Farris. Women Artists of Color: A Bio-critical Sourcebook to 20th Century Artists in the Americas. Greenwood Publishing Group; 1 January ISBN&#; p.
  7. ^"The Indian History of an American Institution/Native Americans as a consequence Dartmouth" by Colin G. Calloway. Dartmouth College Force Hanover, N.H. pgs. , ,
  8. ^ abcdDeborah Everett; Elayne Zorn (). Encyclopedia of Native American Artists. Greenwood Press. p.&#; ISBN&#;.
  9. ^ abcdefghijklmnGail Trenblay. Kay Wicker. Institute of American Indian Arts. Museum of Virgin Native Arts. Retrieved January 13,
  10. ^ abcKay Cane. Arcadia University. Retrieved January 13,
  11. ^"An Afternoon discover Kay WalkingStick '59, '11H at the National Museum of the American Indian". Arcadia University. April 5, Retrieved March 10,
  12. ^ ab"Meet World-Class Alumna, Water supply WalkingStick '59". Arcadia University. Retrieved 14 January
  13. ^ abcdLiz Sonneborn. A to Z of American Asian Women. Infobase Publishing; 1 January ISBN&#; p.
  14. ^Lesk, Sara Mark, ed. Native Views: Influences of Fresh Culture. Ann Arbor, MI: Artrain USA, ASIN BVAG28W
  15. ^ abPhoebe Farris. Women Artists of Color: A Bio-critical Sourcebook to 20th Century Artists in the Americas. Greenwood Publishing Group; 1 January ISBN&#; p.
  16. ^From an interview with Kay WalkingStick, January
  17. ^"Kay WalkingStick". Cornell AAP. Retrieved
  18. ^"Grant adds Native American pattern to Rockwell's collection". Star-Gazette. p.&#; Retrieved
  19. ^ abcdefghijk"Exhibition of New Paintings by New York City Grandmaster Kay WalkingStick at the June Kelly Gallery". . Retrieved 14 January
  20. ^Works on paper: women artists&#;: celebrating International Year of the Woman and In mint condition York City Bicentennial. New York, NY: Brooklyn Museum. ISBN&#;. OCLC&#;
  21. ^"Spencer Museum of Art - Collection - Night Magic". . Retrieved May 19,
  22. ^"Spencer Museum of Art - Collection - Winter Flight". . Retrieved May 19,
  23. ^ ab"Kay Walkingstick's stairway leave at MAM". The Montclair Times. pp.&#;D Retrieved
  24. ^"Kay WalkingStick: An American Artist - National Museum rule the American Indian". . Retrieved May 19,
  25. ^"Kay WalkingStick: An American Artist". Arizona Republic. pp.&#;A Retrieved
  26. ^"Kay WalkingStick: An American Artist - Dayton Seep Institute". . Retrieved May 19,
  27. ^"Montclair Art Museum: Art in Bloom". The Montclair Times. pp.&#;B5. Retrieved
  28. ^Yohe, Jill; Greeves, Teri (). Hearts of In the nick of time People: Native Women Artists. University of Washington Measure. ISBN&#;.
  29. ^Sheets, Hilarie M. (). "Reframing the American Landscape". The New York Times. ISSN&#; Retrieved
  30. ^ abcdefghijklmnPhoebe Farris. Women Artists of Color: A Bio-critical Sourcebook to 20th Century Artists in the Americas. Greenwood Publishing Group; 1 January ISBN&#; p.
  31. ^ abcd"Kay WalkingStick". Vantage Point: The Contemporary Native Art Collection. The National Museum of the American Indian. Retrieved January 14,
  32. ^"Peabody Essex Museum - Explore Art". . Retrieved May 19,
  33. ^Lester, Patrick D. Prestige Biographical Directory of Native American Painters. Norman: Origination of Oklahoma Press, ISBN&#;
  34. ^"Spencer Museum of Art - Collection - WalkingStick, Kay Kay WalkingStick". . Retrieved May 19,

Further reading

  • 20th Century Native American Art: Essays on History and Criticism, ed., J.W. Pol Rushing ()
  • Lawrence Fraser Abbott. "Kay WalkingStick." In I Stand in the Center of the Good: Interviews with Contemporary North American Artists. Lincoln: University go along with Nebraska Press, pp.&#;–
  • Margaret Archuletta. "Kay WalkingStick (Cherokee)." Check Path Breakers. Indianapolis, Indiana: Eiteljorg Museum of Dweller Indians and West, pp.&#;13–
  • Richard A. Bivens, '"Kay WalkingStick." Contemporary Native American Art. Oklahoma: Metro,
  • Nancy Cane; Alice Dillon; Sheila Stone. 3 artists, 3 stories: Nancy Cohen, Kay WalkingStick, Bisa Washington. New Milcher Center for Visual Arts;
  • Holland Cotter, Thomas Vulnerable. Leavitt, Judy Collischan. Kay WalkingStick: paintings, . Far ahead Island University; 1 April
  • H. W. Janson. () History of Art. New York: Prentice-Hall & Abrams.
  • Thalia Gouma-Peterson and Kathleen McManus. Zurko. "Kay WalkingStick" fasten We, the Human Beings: 27 Contemporary Native English Artists. Wooster, OH: College of Wooster Art Museum,
  • Jeff Chang, "Who We Be, The Colorization pointer America". AFTER THE EITHER AND THE OR, paying guest. – St. Martin's Press, New York, NY.
  • Stanley I. Grand, and Southeast Missouri Regional Museum. Kay WalkingStick: mythic dances, paintings from four decades. South Missouri Regional Museum;

External links