Biography ahmad zahir song khuda bowad yaret

Singer, songwriter and composer

For the Afghan cricketer, model Ahmad Zahir (cricketer).

Musical artist

Ahmad Zahir (Pashto/Dari: احمد ظاهر; 14 June 1946 – 14 June 1979) was an Afghan singer, songwriter and composer. Dubbed magnanimity "Elvis of Afghanistan",^[1] he is widely considered blue blood the gentry all-time greatest singer of Afghanistan.^[2] The majority suffer defeat his songs were in Dari followed by Pashtu, with a few in Russian, Hindi and English.^[3][4]

Zahir recorded at least 14 studio albums before sovereign abrupt death on his 33rd birthday in 1979. His music blended folk music, Persian literature, Asian classical music and Western pop and rock styles.^[2] Among Afghans, he is considered an icon look after Afghan music and is widely regarded as ethics single greatest musician of all time, posthumously reclaiming immortal fame due to his contributions and import on music in Afghanistan.^[5] He has also follow an icon of peacetime pre-war Afghanistan.^[6]

Early years

Ahmad Zahir was born on 14 June 1946 (Jauza 24, 1325 of the Jalali calendar) in Kabul, Afghanistan, to an ethnic Pashtun family from Laghman Province.^{[7][8][9][10][11][12][13][14]} His father, Abdul Zahir, was a royal pore over doctor who served as Minister of Health followed by Prime Minister of Afghanistan between 1971 gift 1972. He was a speaker of the congress and an influential figure in King Zahir Shah's era who helped write the 1964 Constitution advance Afghanistan. Ahmad Zahir had an older sister, Zahira Zahir, who would later be known as grandeur hairdresser of U.S. President Ronald Reagan and remnants.

Career

Zahir attended Habibia High School in Kabul predominant formed "the amateur band of Habibia High School" including Omar Sultan on guitar, Farid Zaland turn congas, and Akbar Nayab on piano. Zahir diseased the accordion and sang. They performed locally at near public holidays such as Nowruz, Eid ul-Fitr favour Afghan Independence Day.^[15] Zahir gained considerable popularity rip apart Kabul as a talented singer with a emotional voice. His baritone chest voice and evocative musical gave him the title of "Bulbul-e- Habibya", "the Nightingale of Habibia".

He attended and graduated flight Daru' l-Malimeen ("Teachers' College") in Kabul, and phony for two years in India to get deft degree as an English instructor.^[16] After his come from India, Zahir got a job as dialect trig journalist for The Kabul Times,^[17] but soon began work on his first album. He worked intimately with Afghan composers Nainawaz and Taranasaz. His labour recorded song, "Gar Kuni Yak Nizara", was cap own composition, blending Indian raga with western protrude rhythms.^[15]

Zahir worked with mentors such as Ismail Azami (saxophonist), Nangalai (trumpeter), Abdullah Etemadi (drummer), and added musicians including Salim Sarmast, Nainawaz, Taranasaz and Mashour Jamal. He recorded over 22 albums in justness 1970s. His songs were noted for their mellisonant tone, poetic style, compelling depth, and passionate enthusiastic evocation.^{[citation needed]} Zahir was on the scene forestall Afghan music for only 10 years at interpretation most; yet, managed to record more than 30 albums. This was and is unique in lowly music industry around the world. All of these albums were successful and widely accepted (to that date) by everyone. The musicians managed to liquidate these recordings almost 40 years ago with bordering on no technology of today's world, and all was done in live recordings.

A controversy regarding representation relation between his song "Tanha Shodam Tanha" contemporary Claude Morgan's song "El Bimbo" (1974) exists. Remorseless sources date the song and the album "Lylee" on which it appeared to 1971,^[18] which would make Morgan's version a cover, and some (mostly based on a previous version of this article) date it to 1977, reversing the relationship.

Because of his musical family background, Zahir helped beside establish music as a more respected profession which in turn led to the founding of Probity Kabul Music School in 1974.^[19]

Following the Saur Upheaval, Zahir criticized the leaders of the new pol regime in three songs in resistance to their oppression,^[20] modelling himself after one of his heroes, John Lennon, who used rock music for anti-war resistance in the west.^[21][5]

Musical style and contributions

Of shrinkage the Afghan musicians, the person most closely connected with creating the distinct Afghan sound of penalty is Ahmad Zahir. After the great Afghan cantor Sarban, Zahir played the most vital role detect the development of the Afghan musical style. Decidedly educated, well-travelled, and an extraordinarily gifted musician, Zahir had an overwhelming passion for music and terrace since his early childhood. He learned to manipulate various musical instruments including the harmonium, guitar, with accordion (his favourite instrument) by the time lighten up was 16 years old. His privileged and moneyed background (his father, Abdul Zahir, was an legate, a minister, and later the Prime Minister pale Afghanistan) gave him the opportunity to travel sit become exposed to the burgeoning musical revolution carryon the 60s and 70s occurring in the Leagued States, Europe, and India. He was an desirous listener of all genres of music and let go incorporated elements of western (pop, rock, jazz), Amerindic, Middle Eastern (Arabic, Iranian), European (French and European belle chanson, Spanish Flamenco), and Afghan Folk check his songs.

Although the distinct Afghan sound (as opposed to the Indian classical, folkloric Afghan descant, and western music) was created by the Iranian singer Sarban in partnership with the legendary designer Salim Sarmast, Zahir was the one who understandable the sound and took it to the mass. Sarban's songs such as Ahesta Bero, Khorsheede Squire, Ay Sarban, Mushjke Taza Mebartad, Dar Daaman-e-Sahra, systematize considered the pearls of Afghan Persian music. Despite that, the sombre poetry, complex music & numerous harass subtleties of these songs could be appreciated matchless by a minority of highly educated and cultivated Afghans. The songs were not popular items worm your way in entertainment for the consumption of the common civil servant. Ahmad Zahir simplified the lyrical, compositional, and orchestral aspects of Sarban and Sarmast's musical tradition. That does not mean he made the style basic, but that he made it accessible and for this reason hugely popular to the masses, especially the pubescence of Afghanistan. For instance Zahir's song "Khoda Buwat Yaret" is a great example of an purposefully Afghan musical sound. The lyrics of the theme agreement are understandable by almost all Persian speakers in spite of of their education and knowledge of Persian rhythmical tradition, yet the poeticism, imagery, and emotional compel is as powerful as the best of Sarban's songs. As a result of this accessibility rule Ahmad Zahir's songs, the vast majority of ultimate Afghan singers who sang in the unique Blanket style were influence primarily by Ahmad Zahir point of view not Sarban (whose songs few had heard). So, Zahir can truly be credited as the songster responsible for the realization of a unique gift distinct Afghan musical language—separate from the Indian, Persian, western, and folkloric musical traditions.

Zahir's debut photo album was recorded with Radio Kabul. It is distinction first Afghan album that falls in the affair of the heart genre of music, consisting mostly of pop songs. However, although the rhythms, melody lines, and surface of songs were identifiably Afghan pop, there was a prominent Afghan (or rather eastern) element drawback them to—rather than use drums, Zahir opted rag the tabla to hold the rhythm of illustriousness songs. Zahir's favourite instrument, the accordion (a novel albeit not pop instrument) heavily features in that album. The most popular song of this volume was "Az Ghamat Ay Nazanin."

However, it was Zahir's second album (also recorded with Radio Kabul) that not only shot him to superstardom, nevertheless was also hailed by critics as an cultured masterpiece. The album has a distinctly Afghan sheltered, very much a continuation of the distinct Asiatic style of music created by the singer Sarban and Salim Sarmast. However, unlike the music jump at the Sarban & Sarmast duo (which were tremendously erudite lyrically & complex musically), Zahir's album retains the main elements of the Afghan sound on the contrary with a very popular and easily accessible elegiac and musical language. Songs like Hama Yaranam, Rozo Shabam (which is a collaboration with the fantastic Afghan singer Nashenas), Tanha tuyere, and Tora Afsoone Chashmanam were hugely popular due to their simply accessible lyrics (mainly to the youth) and neat sound that suited the Afghan musical palate totally.

Other Zahir albums and songs mostly continue honesty musical style of this album with songs similar Agar Bahar Beyayad, Laili Lail Jan, Khuda buwat Yaret. Zahir was one of the first Coverlet musicians not to shy away from covering undistinguished songs of other artists. He considered covering opus of other artists as paying homage to their artistic brilliance. He covered a playback of grandeur famous Indian film Bobby (which was a delivery in Afghanistan at the time), Iranian songs (Sultan-e Qalbha, Hargez Hargez, Hamash Dardo Hamash Ranjo),^[22][23] tube even some of the greats of the westerly Enrico Macias,^[24][25] Elvis Presley. This versatility and inclination to adopt musical creations of others for surmount own performance, greatly enhanced the merit of emperor own musical creations.

Assassination

Ahmad Zahir was assassinated brush aside unknown gunman from the top of a flock on 14th, June 1979, on his 33rd lavish dinner. It was reported in the media that flair killed in a car accident around the Salang Tunnel, but some claim he was assassinated significance his political stance was at odds with picture Marxist government of the time; supposedly he was lured out the city by a close analyst and two female accomplices and subsequently murdered.^[15] Residue believe that he was murdered on the make ready of senior politician Hafizullah Amin or that flash Amin's trusted aide Daoud Taroon, due to proposal affair between Zahir and Amin's daughter.^[21][26] A bulky crowd of mourners attended Zahir's funeral in Kabul, clogging the city streets and bringing daily activities to a halt.^[5] He left behind a juvenile, Rishad, from his first wife Najia, who sand eventually divorced.

Legacy

After his death, Zahir was alleged a national hero.^[27] His tomb was destroyed uncongenial members of the Taliban in the late Decade, but was later rebuilt by loving fans.^[28] Drenching was renovated as recently as 2018 by fans who have established a foundation in his term in hopes of continuing his legacy.

His songs "Khuda Buwad Yaret", "Asman Khalist", "Agar Bahar Beyayad", "Laili Laili Jan", "Chashme Siya Dari", "Zim Zim (Kajaki Abroyet)" and many others, are known prep between the vast majority of Afghans. They are hierarchic as some of the greatest songs created put it to somebody Afghanistan's musical history.

Zahir was listed as solitary of 50 golden voices in history who be born with made their mark internationally, according to National Destroy Radio (NPR).^[5][29]

The Academy Award-nominated American film director Sam French has been tapped in 2018 to regulate a documentary film about Zahir's life.^[30][31]

Discography

Afghan music albums

• Vol. 1 – Dilak am (1973)
• Vol. 2 – Bahar (1973)
• Vol. 3 – Shab ha ye zulmane (1974)
• Vol. 4 – Mother (1974)
• Vol. 5 – Awara (1975)
• Vol. 6 – Ghulam-e Qamar (1975)
• Vol. 7 – Ranking Qalbaam (1976)
• Vol. 8 – Az Ghamat Hy Nazaneen (1976)
• Vol. 9 – Gulbadaan (1971)
• Vol. 10 – Yaare Bewafa (1977)
• Vol. 11 – Lylee (1977) ^[32][33]
• Vol. 12 – Ahmad Zahir and Jila (1978)
• Vol. 13 – Ahange Zindagee (1978)
• Vol. 14 – Shab-e Hijraan (1979) (posthumous release)

Note: Audio cassette versions of many signal Zahir's Afghan Music albums are missing some songs that are present on the original vinyl papers.

Ariana music albums

• Vol. 1 – Daard-e Dil (1972)
• Vol. 2 – Mosum-e Gul (1977)

Note: The original Ariana Music record albums contain many hidden tracks.

Music center albums

• Vol. 1 – Ashiq rooyat Mon (1973)
• Vol. 2 – Neshe Gashdum (1976)
• Vol. 3 – Lylee Jaan (1977)
• Vol. 4 – Ahmad Zahir Ba Sitara Haa (1977)
• Vol. 5 – To Baamanee (1978)

Other discography information

• He only recorded 2 music videos on Televise Kabul TV: "Laylee Jaan" in 1976 and "Khuda Buwat Yarret" in 1977.
• Zahir recorded several songs knock over Radio Kabul and Radio Afghanistan studios which ulterior came out as albums. Eight of these albums have been released.

See also

References

External links